29:I[310877,["/_next/static/immutable/chunks/155891ur7h2g4.js","/_next/static/immutable/chunks/0mtrehc8aml2c.js","/_next/static/immutable/chunks/3vv730oyy56im.js","/_next/static/immutable/chunks/0xxyvfzxk9m6-.js","/_next/static/immutable/chunks/2q4w4h9igk5by.js","/_next/static/immutable/chunks/1max32nja8djl.js","/_next/static/immutable/chunks/0qj38ol596-zz.js","/_next/static/immutable/chunks/1s0kbrf23m13w.js","/_next/static/immutable/chunks/3zi-naejfz386.js","/_next/static/immutable/chunks/1we-4b59mioud.js","/_next/static/immutable/chunks/3y60weyhide_k.js","/_next/static/immutable/chunks/10_64ogqxwi8d.js","/_next/static/immutable/chunks/33agrlzj3imvz.js","/_next/static/immutable/chunks/1rv0paveag6h8.js","/_next/static/immutable/chunks/0b72gsrib64ow.js"],"ViewportHintProvider"] 2a:I[751832,["/_next/static/immutable/chunks/155891ur7h2g4.js","/_next/static/immutable/chunks/0mtrehc8aml2c.js","/_next/static/immutable/chunks/3vv730oyy56im.js","/_next/static/immutable/chunks/0xxyvfzxk9m6-.js","/_next/static/immutable/chunks/2q4w4h9igk5by.js","/_next/static/immutable/chunks/1max32nja8djl.js","/_next/static/immutable/chunks/0qj38ol596-zz.js","/_next/static/immutable/chunks/1s0kbrf23m13w.js","/_next/static/immutable/chunks/3zi-naejfz386.js","/_next/static/immutable/chunks/1we-4b59mioud.js","/_next/static/immutable/chunks/3y60weyhide_k.js","/_next/static/immutable/chunks/10_64ogqxwi8d.js","/_next/static/immutable/chunks/33agrlzj3imvz.js","/_next/static/immutable/chunks/1rv0paveag6h8.js","/_next/static/immutable/chunks/0b72gsrib64ow.js"],"TemplateDetailSwitch"] 2b:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.2c:T659,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME little girl, fully consistent. Layout: top-left a title block with NAME: BAO / AGE: 2 / ROLE: the toddler at the table / PERSONALITY: serious, curious, then giggly; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, SITTING upright facing front and SITTING leaning forward on both forearms on a table edge; bottom a DETAILS strip of four captioned close-ups: SERIOUS FACE (lips pressed together and pushed out, eyes looking down), SIDE GLANCE (eyes turned to one side, head still), LAUGHING (mouth wide open, eyes squeezed into crescents), AFTER SHOCK (the same girl right after an electric zap, a cartoon-style exaggerated look: the black bob and the bangs standing straight up and out in stiff dark spikes, the flower clip knocked crooked, a black soot smudge across the forehead and one on each cheek, a blank stare). The girl: an East Asian toddler of about 2, round full cheeks, a glossy black bob cut at the jaw with thick straight blunt bangs, a small tuft of hair on top tied with a cream fabric flower clip, dark round eyes, fair skin, small chubby hands; a cream long-sleeved blouse with a small navy floral print and a wide white lace collar. Every panel is a REAL photograph of the same child in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.2d:T62e,The same little girl as @Image1, identical face, hair, hair clip and blouse in every panel. Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME little girl, fully consistent. Layout: top-left a title block with NAME: BAO / AGE: 2 / ROLE: the toddler at the table / PERSONALITY: serious, curious, then giggly; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, SITTING upright facing front and SITTING leaning forward on both forearms on a table edge; bottom a DETAILS strip of four captioned close-ups: SERIOUS FACE (lips pressed together and pushed out, eyes looking down), SIDE GLANCE (eyes turned to one side, head still), LAUGHING (mouth wide open, eyes squeezed into crescents), AFTER SHOCK (the same girl with the black bob and the bangs standing straight up and out in stiff dark spikes, the flower clip knocked crooked, a black soot smudge across the forehead and one on each cheek, blank stare). The girl: an East Asian toddler of about 2, round full cheeks, a glossy black bob cut at the jaw with thick straight blunt bangs, a small tuft of hair on top tied with a cream fabric flower clip, dark round eyes, fair skin, small chubby hands; a cream long-sleeved blouse with a small navy floral print and a wide white lace collar. Every panel is a REAL candid photograph of the same child — soft natural daylight, slightly low contrast and low saturation, no retouching.2e:T659,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME little girl, fully consistent. Layout: top-left a title block with NAME: BAO / AGE: 2 / ROLE: the toddler at the table / PERSONALITY: serious, curious, then giggly; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, SITTING upright facing front and SITTING leaning forward on both forearms on a table edge; bottom a DETAILS strip of four captioned close-ups: SERIOUS FACE (lips pressed together and pushed out, eyes looking down), SIDE GLANCE (eyes turned to one side, head still), LAUGHING (mouth wide open, eyes squeezed into crescents), AFTER SHOCK (the same girl right after an electric zap, a cartoon-style exaggerated look: the black bob and the bangs standing straight up and out in stiff dark spikes, the flower clip knocked crooked, a black soot smudge across the forehead and one on each cheek, a blank stare). The girl: an East Asian toddler of about 2, round full cheeks, a glossy black bob cut at the jaw with thick straight blunt bangs, a small tuft of hair on top tied with a cream fabric flower clip, dark round eyes, fair skin, small chubby hands; a cream long-sleeved blouse with a small navy floral print and a wide white lace collar. Every panel is a REAL photograph of the same child in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.2f:T659,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME little girl, fully consistent. Layout: top-left a title block with NAME: BAO / AGE: 2 / ROLE: the toddler at the table / PERSONALITY: serious, curious, then giggly; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, SITTING upright facing front and SITTING leaning forward on both forearms on a table edge; bottom a DETAILS strip of four captioned close-ups: SERIOUS FACE (lips pressed together and pushed out, eyes looking down), SIDE GLANCE (eyes turned to one side, head still), LAUGHING (mouth wide open, eyes squeezed into crescents), AFTER SHOCK (the same girl right after an electric zap, a cartoon-style exaggerated look: the black bob and the bangs standing straight up and out in stiff dark spikes, the flower clip knocked crooked, a black soot smudge across the forehead and one on each cheek, a blank stare). The girl: an East Asian toddler of about 2, round full cheeks, a glossy black bob cut at the jaw with thick straight blunt bangs, a small tuft of hair on top tied with a cream fabric flower clip, dark round eyes, fair skin, small chubby hands; a cream long-sleeved blouse with a small navy floral print and a wide white lace collar. Every panel is a REAL photograph of the same child in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.30:T6f8,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME dog, fully consistent. Layout: top-left a title block with NAME: COCO / AGE: 4 / ROLE: the dog at the table / PERSONALITY: focused, sly, then happy; below it COLOR PALETTE rows FUR / EYES / NOSE with small swatches; center a FRONT VIEW and a SIDE VIEW of the head; right two full-body panels, SITTING upright facing front and SITTING leaning forward with the left front paw stretched out flat on a table top; bottom a DETAILS strip of four captioned close-ups: FOCUSED (nose low, eyes looking down), PAW (the big feathered golden left front paw pressing down), PANTING GRIN (mouth open, pink tongue out, eyes half closed), AFTER SHOCK (the same dog right after an electric zap, a cartoon-style exaggerated look: every hair of the long golden coat on the head, the ears, the cheeks and the chest standing straight out from the body in stiff golden spikes like a puffed-up dandelion, the ears sticking straight out to the sides, the outline of the head twice as wide as normal, big black soot patches on the top of the head, across the nose and beside the muzzle, a thin wisp of grey smoke above the head, a blank wide-eyed stare). The AFTER SHOCK panel must look clearly different from the other panels. The dog: an adult golden retriever, a long silky feathered golden coat, lighter cream on the chest, the legs and the feathering, soft feathered drop ears, warm dark brown eyes, a black nose, big golden paws. Every panel is a REAL photograph of the same dog in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.31:T58a,The same dog as @Image1, identical face, coat colour and ears in every panel. Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME dog, fully consistent. Layout: top-left a title block with NAME: COCO / AGE: 4 / ROLE: the dog at the table / PERSONALITY: focused, sly, then happy; below it COLOR PALETTE rows FUR / EYES / NOSE with small swatches; center a FRONT VIEW and a SIDE VIEW of the head; right two full-body panels, SITTING upright facing front and SITTING leaning forward with the left front paw stretched out flat on a table top; bottom a DETAILS strip of four captioned close-ups: FOCUSED (nose low, eyes looking down), PAW (the big feathered golden left front paw pressing down), PANTING GRIN (mouth open, pink tongue out, eyes half closed), AFTER SHOCK (the same dog with the long golden fur on the head, the ears and the chest standing straight out in stiff golden spikes, dark soot patches on the top of the head and beside the muzzle, blank stare). The dog: an adult golden retriever, a long silky feathered golden coat, lighter cream on the chest, the legs and the feathering, soft feathered drop ears, warm dark brown eyes, a black nose, big golden paws. Every panel is a REAL candid photograph of the same dog — soft natural daylight, slightly low contrast and low saturation, no retouching.32:T6f8,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME dog, fully consistent. Layout: top-left a title block with NAME: COCO / AGE: 4 / ROLE: the dog at the table / PERSONALITY: focused, sly, then happy; below it COLOR PALETTE rows FUR / EYES / NOSE with small swatches; center a FRONT VIEW and a SIDE VIEW of the head; right two full-body panels, SITTING upright facing front and SITTING leaning forward with the left front paw stretched out flat on a table top; bottom a DETAILS strip of four captioned close-ups: FOCUSED (nose low, eyes looking down), PAW (the big feathered golden left front paw pressing down), PANTING GRIN (mouth open, pink tongue out, eyes half closed), AFTER SHOCK (the same dog right after an electric zap, a cartoon-style exaggerated look: every hair of the long golden coat on the head, the ears, the cheeks and the chest standing straight out from the body in stiff golden spikes like a puffed-up dandelion, the ears sticking straight out to the sides, the outline of the head twice as wide as normal, big black soot patches on the top of the head, across the nose and beside the muzzle, a thin wisp of grey smoke above the head, a blank wide-eyed stare). The AFTER SHOCK panel must look clearly different from the other panels. The dog: an adult golden retriever, a long silky feathered golden coat, lighter cream on the chest, the legs and the feathering, soft feathered drop ears, warm dark brown eyes, a black nose, big golden paws. Every panel is a REAL photograph of the same dog in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.33:T6f8,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME dog, fully consistent. Layout: top-left a title block with NAME: COCO / AGE: 4 / ROLE: the dog at the table / PERSONALITY: focused, sly, then happy; below it COLOR PALETTE rows FUR / EYES / NOSE with small swatches; center a FRONT VIEW and a SIDE VIEW of the head; right two full-body panels, SITTING upright facing front and SITTING leaning forward with the left front paw stretched out flat on a table top; bottom a DETAILS strip of four captioned close-ups: FOCUSED (nose low, eyes looking down), PAW (the big feathered golden left front paw pressing down), PANTING GRIN (mouth open, pink tongue out, eyes half closed), AFTER SHOCK (the same dog right after an electric zap, a cartoon-style exaggerated look: every hair of the long golden coat on the head, the ears, the cheeks and the chest standing straight out from the body in stiff golden spikes like a puffed-up dandelion, the ears sticking straight out to the sides, the outline of the head twice as wide as normal, big black soot patches on the top of the head, across the nose and beside the muzzle, a thin wisp of grey smoke above the head, a blank wide-eyed stare). The AFTER SHOCK panel must look clearly different from the other panels. The dog: an adult golden retriever, a long silky feathered golden coat, lighter cream on the chest, the legs and the feathering, soft feathered drop ears, warm dark brown eyes, a black nose, big golden paws. Every panel is a REAL photograph of the same dog in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.34:T730,Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME dog, fully consistent. Layout: top-left a title block with NAME: COCO / AGE: 3 / ROLE: the dog at the table / PERSONALITY: focused, sly, then happy; below it COLOR PALETTE rows FUR / EYES / NOSE with small swatches; center a FRONT VIEW and a SIDE VIEW of the head; right two full-body panels, SITTING upright facing front and SITTING leaning forward with the left front paw stretched out flat on a table top; bottom a DETAILS strip of four captioned close-ups: FOCUSED (nose low, eyes looking down), PAW (the small curly apricot left front paw pressing down), PANTING GRIN (mouth open, small pink tongue out, eyes half closed), AFTER SHOCK (the same dog right after an electric zap, a cartoon-style exaggerated look: the curly apricot coat on the head, the ears, the cheeks and the chest standing straight out from the body in stiff frizzy spikes like a puffed-up dandelion, the ears sticking straight out to the sides, the outline of the head twice as wide as normal, big black soot patches on the top of the head, across the nose and beside the muzzle, a thin wisp of grey smoke above the head, a blank wide-eyed stare). The AFTER SHOCK panel must look clearly different from the other panels. The dog: a small toy poodle with a fluffy curly apricot-red teddy-bear coat, a round fluffy face, long curly drop ears, round dark brown eyes, a black button nose, a small pink tongue often peeking out, a black leather collar with a gold buckle, small fluffy round paws. Every panel is a REAL photograph of the same dog in a raw unedited camera footage look: realistic, soft natural daylight, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.35:T416,Empty scene plate, no people, no animals, no readable text, no logos: a little girl's bedroom seen straight on at the height of a low table in 16:9. A low white children's table runs across the lower half of the frame with its front edge straight across the frame. Behind the table a white daybed with pink and grey cushions stands against a soft pink wall with pink floral wall decals and a few small fairy lights; a pink curtain hangs at the right edge beside a window; white built-in shelves with a few soft toys and books at the left edge. On the table two single electrical wires lie flat: a RED WIRE coming in from the left edge of the frame and a BLUE WIRE coming in from the right edge, each ending near the middle of the table in a short stripped bare copper tip, the two tips pointing at each other a hand's width apart. Soft warm indoor daylight from the window. A REAL photograph of the room in a raw unedited camera footage look: realistic, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.36:T451,The same bedroom as @Image1: the same soft pink walls with the pink floral wall decals and the small fairy lights, the same pink curtains, the same white daybed with pink and grey cushions, the same white built-in shelves with warm LED strips, now with nobody in it. Empty scene plate, no people, no animals, no readable text, no logos: the bedroom seen straight on at the height of a low table in 16:9, a low white children's table across the lower half of the frame with its front edge running straight across the frame; behind the table the white daybed with the cushions against the pink wall with the floral decals, the pink curtain at the right edge; on the table two single electrical wires lie flat: a RED WIRE coming in from the left edge of the frame and a BLUE WIRE coming in from the right edge, each ending near the middle of the table in a short stripped bare copper tip, the two tips pointing at each other a hand's width apart. Soft warm indoor light with a pink glow from the walls and the LED strips. A REAL photograph of the set, slightly low contrast and low saturation, no retouching.37:T416,Empty scene plate, no people, no animals, no readable text, no logos: a little girl's bedroom seen straight on at the height of a low table in 16:9. A low white children's table runs across the lower half of the frame with its front edge straight across the frame. Behind the table a white daybed with pink and grey cushions stands against a soft pink wall with pink floral wall decals and a few small fairy lights; a pink curtain hangs at the right edge beside a window; white built-in shelves with a few soft toys and books at the left edge. On the table two single electrical wires lie flat: a RED WIRE coming in from the left edge of the frame and a BLUE WIRE coming in from the right edge, each ending near the middle of the table in a short stripped bare copper tip, the two tips pointing at each other a hand's width apart. Soft warm indoor daylight from the window. A REAL photograph of the room in a raw unedited camera footage look: realistic, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.38:T416,Empty scene plate, no people, no animals, no readable text, no logos: a little girl's bedroom seen straight on at the height of a low table in 16:9. A low white children's table runs across the lower half of the frame with its front edge straight across the frame. Behind the table a white daybed with pink and grey cushions stands against a soft pink wall with pink floral wall decals and a few small fairy lights; a pink curtain hangs at the right edge beside a window; white built-in shelves with a few soft toys and books at the left edge. On the table two single electrical wires lie flat: a RED WIRE coming in from the left edge of the frame and a BLUE WIRE coming in from the right edge, each ending near the middle of the table in a short stripped bare copper tip, the two tips pointing at each other a hand's width apart. Soft warm indoor daylight from the window. A REAL photograph of the room in a raw unedited camera footage look: realistic, low contrast and low saturation, flat muted natural tones, no colour grading, no retouching.39:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3a:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3b:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3c:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3d:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3e:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.3f:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. No subtitles, no on-screen text, no logos.40:T131c,@Image1 is GIRL: take the little girl, the glossy black bob with the blunt bangs, the cream flower clip and the cream floral blouse with the lace collar; take the AFTER SHOCK panel for the spiky hair and the soot marks; ignore the sheet layout and the title text. @Image2 is DOG: take the small toy poodle with the curly apricot coat and the black collar with the gold buckle; take the AFTER SHOCK panel for the spiky fur and the soot marks; ignore the sheet layout and the title text. @Image3 is BEDROOM: the low white table, the white daybed with the cushions, the pink wall with the floral decals and the pink curtain; the RED WIRE and the BLUE WIRE on the table are the only two wires in the film. Raw unedited home phone footage on a fixed camera at a low white table in a pink bedroom: GIRL and DOG sit side by side behind the table, GIRL holding the RED WIRE and DOG pressing a paw on the BLUE WIRE; DOG pushes the BLUE WIRE across until the two bare copper tips touch, a bright spark flashes, the hair of GIRL and the fur of DOG shoot up into stiff spikes with soot smudged on both faces, GIRL and DOG turn and look at each other, then both turn to the camera, GIRL bursting into a real giggle and DOG panting happily with the tongue out. 0-2s: Medium shot at table height, the camera fixed on a tripod for the whole film, the white table filling the lower half of the frame, the white daybed and the pink wall with the floral decals behind. GIRL sits on the left behind the table, the right fist closed around the RED WIRE, which runs in from the left edge of the frame and ends in a bare copper tip near the middle of the table; DOG sits on the right behind the table, the small curly head and chest above the table edge, the left front paw resting on the BLUE WIRE, which runs in from the right edge and ends in a bare copper tip a hand's width from the red tip. GIRL and DOG both look down at the two tips, GIRL's lips pressed together and pushed out, DOG's nose low over the table. 2-3s: DOG slides the left front paw slowly toward the middle, dragging the BLUE WIRE a little closer to the RED WIRE across the table; GIRL's fist stays still on the RED WIRE. 3-4s: GIRL's eyes slide sideways to DOG without the head turning, a slow blink, then back down to the tips; DOG keeps looking down at the tips, the ears still. 4-5s: DOG's paw gives one last small push and the blue copper tip touches the red copper tip; a bright white-blue spark bursts at the touch point and flashes across the lower half of the frame, lighting both faces from below for a split second. 5-6s: In the same instant GIRL's black bob and bangs shoot straight up and out into stiff dark spikes, the flower clip knocked crooked, and DOG's curly apricot fur on the head, the ears and the chest shoots out into stiff frizzy spikes, as in the AFTER SHOCK panels; a black soot smudge appears across GIRL's forehead and one on each cheek, dark soot patches on the top of DOG's head and beside the muzzle; a small black scorch mark sits on the white table between the two tips with a thin wisp of grey smoke rising. GIRL flinches and squeezes the eyes shut, DOG jerks the head back and blinks. 6-7s: GIRL opens the eyes and slowly turns the head to look at DOG, the mouth a little open; DOG turns the head to look back at GIRL, the ears twitching. GIRL and DOG look at each other for a moment, GIRL blinking twice. 7-8s: GIRL and DOG both turn the heads to the camera at the same time and look straight into the lens. GIRL's mouth starts to twitch into a smile. 8-10s: Looking into the lens, GIRL bursts into a real toddler giggle, the mouth wide open, the eyes crinkling, the shoulders shaking, the fist still holding the RED WIRE; DOG opens the mouth and pants happily with the small pink tongue out, the eyes soft, looking like a grin. The camera holds to the end. Constraints: one continuous shot, no cuts, the camera fixed and level the whole time. Raw unedited home phone footage, realistic: soft warm indoor daylight from the window, low contrast and low saturation, flat muted natural tones, no colour grading. Natural, real, unposed expressions and movements, like a real toddler and a real dog caught on a phone: small involuntary blinks, breaths and head wobbles, a real child's laugh that builds, no exaggerated or frozen cartoon faces, no fake smiles. GIRL and DOG keep the faces, hair, fur and clothes from @Image1 and @Image2; from 5s to the end GIRL and DOG keep the spiky hair, spiky fur and soot marks of the AFTER SHOCK panels. Only one RED WIRE and one BLUE WIRE. No spoken words. No music. 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