19:I[869285,["/_next/static/immutable/chunks/3jh2755ftss_1.js","/_next/static/immutable/chunks/0d8oucgi3z-75.js","/_next/static/immutable/chunks/3zobiawz5j3pu.js","/_next/static/immutable/chunks/0qrcdevmcz4l6.js","/_next/static/immutable/chunks/0xxyvfzxk9m6-.js","/_next/static/immutable/chunks/0qj38ol596-zz.js","/_next/static/immutable/chunks/3do-t39c-g1ds.js","/_next/static/immutable/chunks/0nyo0gii_m5x5.js","/_next/static/immutable/chunks/1fg6_xzhgyxwk.js","/_next/static/immutable/chunks/3fdeyfy67wyq7.js"],"TemplateDetail"] 29:I[27201,["/_next/static/immutable/chunks/3jh2755ftss_1.js"],"IconMark"] 1a:Ta9d,Mike (a handsome Caucasian young man) and Audray <<>> keep her looks and wearing exactly the same. handheld camera movement for intimacy. Paris crowded street , shallow depth of field.medium two-shot on a sunny cobblestone street side in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike pauses and turns to Audray , talk with a slight head tilt and concerned expression: "Wait" Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures, Mike continues talking: "Before we go anywhere, I have to ask you." Background pedestrians walk casually, cars pass slowly.cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression.Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi that May?” He head tilts slightly, expression intense and vulnerable.Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity.Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons.Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why?” her head tilts slightly, voice soft yet probing.Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion.Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly and then look up to him with a smile, Mike’s shoulder is visible in the foreground.and then they turn and walk to the left, camera pan to left too. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting1b:Ta9d,Mike (a handsome Caucasian young man) and Audray <<>> keep her looks and wearing exactly the same. handheld camera movement for intimacy. Paris crowded street , shallow depth of field.medium two-shot on a sunny cobblestone street side in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike pauses and turns to Audray , talk with a slight head tilt and concerned expression: "Wait" Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures, Mike continues talking: "Before we go anywhere, I have to ask you." Background pedestrians walk casually, cars pass slowly.cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression.Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi that May?” He head tilts slightly, expression intense and vulnerable.Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity.Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons.Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why?” her head tilts slightly, voice soft yet probing.Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion.Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly and then look up to him with a smile, Mike’s shoulder is visible in the foreground.and then they turn and walk to the left, camera pan to left too. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting1c:Ta9d,Mike (a handsome Caucasian young man) and Audray <<>> keep her looks and wearing exactly the same. handheld camera movement for intimacy. Paris crowded street , shallow depth of field.medium two-shot on a sunny cobblestone street side in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike pauses and turns to Audray , talk with a slight head tilt and concerned expression: "Wait" Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures, Mike continues talking: "Before we go anywhere, I have to ask you." Background pedestrians walk casually, cars pass slowly.cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression.Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi that May?” He head tilts slightly, expression intense and vulnerable.Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity.Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons.Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why?” her head tilts slightly, voice soft yet probing.Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion.Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly and then look up to him with a smile, Mike’s shoulder is visible in the foreground.and then they turn and walk to the left, camera pan to left too. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting1d:T9cc,[GLOBAL] Photoreal sun-drenched Italian summer travel film — warm natural daylight, gentle filmic contrast, true-to-life rich color (deep Mediterranean blue sea, terracotta roofs, cream stone) but NOT teal-and-orange graded; looks like a high-end travel film shot on a cine camera. Native 1920x1080, 16:9. HERO VEHICLE (match @image 1 exactly): a 1950s Italian corriera — a small rounded mint/teal-green vintage bus-van, glossy paint with cream lower trim, a vertical chrome grille with horizontal bars, two round chrome headlamps, a blank cream destination board above the windshield; keep its exact shape and color in every frame. Keep the town's architecture and layout consistent across the two shots. ACTING: everyone reads as real people — natural breathing that visibly moves the chest, regular blinking, small involuntary movements, unhurried summer ease. The aerial shot is smooth stabilized drone; the ground shot is light organic handheld with micro-jitter, never tripod-smooth. Any signage or number plate stays blank. No on-screen text or subtitles. No background music — diegetic sound only. Shot 1: A smooth high aerial over an Amalfi-style Italian cliff town — pastel houses with terracotta roofs stacked up a steep green mountainside, a turquoise sea below, a small beach with blue umbrellas, an arched stone viaduct road hugging the cliff on the right. The camera drifts slowly to the left and eases gently forward toward the town. On the viaduct road at right, the mint-green corriera (match @image 1) rolls along toward the village, sunlight flaring off its chrome — a faint ENGINE HUM carrying up, distant gulls, soft surf. Shot 2: Cut to a low eye-level handheld shot inside a sunlit coastal market piazza — cream and pale-yellow stone buildings with green shutters, small balconies and hanging laundry, cream market umbrellas over wooden crates of fruit and vegetables, a stone-paved square. The camera tracks and pans to the right, following the crowd. A young man in a green t-shirt rides a scooter across the foreground from left to right, its two-stroke BUZZ passing close; the mint-green corriera (match @image 1) sits at the left edge of the square; tourists stroll — a woman in a floral dress, a man in green shorts — footsteps on stone, overlapping Italian chatter, a distant church bell. Hard warm sunlight, crisp shadows on the paving. Maintain @image 1 exactly — keep the corriera's mint-green color and chrome grille identical. No cuts within a shot.1e:T9cc,[GLOBAL] Photoreal sun-drenched Italian summer travel film — warm natural daylight, gentle filmic contrast, true-to-life rich color (deep Mediterranean blue sea, terracotta roofs, cream stone) but NOT teal-and-orange graded; looks like a high-end travel film shot on a cine camera. Native 1920x1080, 16:9. HERO VEHICLE (match @image 1 exactly): a 1950s Italian corriera — a small rounded mint/teal-green vintage bus-van, glossy paint with cream lower trim, a vertical chrome grille with horizontal bars, two round chrome headlamps, a blank cream destination board above the windshield; keep its exact shape and color in every frame. Keep the town's architecture and layout consistent across the two shots. ACTING: everyone reads as real people — natural breathing that visibly moves the chest, regular blinking, small involuntary movements, unhurried summer ease. The aerial shot is smooth stabilized drone; the ground shot is light organic handheld with micro-jitter, never tripod-smooth. Any signage or number plate stays blank. No on-screen text or subtitles. No background music — diegetic sound only. Shot 1: A smooth high aerial over an Amalfi-style Italian cliff town — pastel houses with terracotta roofs stacked up a steep green mountainside, a turquoise sea below, a small beach with blue umbrellas, an arched stone viaduct road hugging the cliff on the right. The camera drifts slowly to the left and eases gently forward toward the town. On the viaduct road at right, the mint-green corriera (match @image 1) rolls along toward the village, sunlight flaring off its chrome — a faint ENGINE HUM carrying up, distant gulls, soft surf. Shot 2: Cut to a low eye-level handheld shot inside a sunlit coastal market piazza — cream and pale-yellow stone buildings with green shutters, small balconies and hanging laundry, cream market umbrellas over wooden crates of fruit and vegetables, a stone-paved square. The camera tracks and pans to the right, following the crowd. A young man in a green t-shirt rides a scooter across the foreground from left to right, its two-stroke BUZZ passing close; the mint-green corriera (match @image 1) sits at the left edge of the square; tourists stroll — a woman in a floral dress, a man in green shorts — footsteps on stone, overlapping Italian chatter, a distant church bell. Hard warm sunlight, crisp shadows on the paving. Maintain @image 1 exactly — keep the corriera's mint-green color and chrome grille identical. No cuts within a shot.1f:T557,Shot 1: A medium handheld shot of GENNARO (match @image 1) standing in front of a fruit stall — wooden crates of watermelons, cantaloupes and oranges under a cream market umbrella, a red-gingham café table with young women seated behind, cream stone buildings with green shutters beyond. He throws both arms open wide, palms up, chin lifting, eyebrows rising and the corners of his eyes creasing into a broad slow grin as he greets the camera; his chest lifts on a big breath, mustache spreading with the smile. Warm sunlight, gentle handheld sway; market hum, clink of café glasses, a scooter passing somewhere behind. Shot 2: Cut low and tight on the front of the mint-green corriera (match @image 2) — chrome grille, round headlamps, blank cream board above the windshield — as it noses slowly forward across a grand baroque church piazza. The camera cranes up and tilts to reveal the full square: a honey-coloured baroque church facade with round windows and a carved portal, red parasols, black horses drawing white open carriages, crowds of tourists on stone paving. In the foreground a stack of wooden crates has just tipped over — oranges and green limes tumble and roll heavily across the stone, crates CLATTERING, fruit thudding and rolling, hooves clopping, a ripple of surprised laughter from the crowd. Warm sunlight, faint dust in the air. 20:T93f,[GLOBAL] Photoreal cinematic Italian summer travel film — golden-hour warmth, soft atmospheric haze, a gentle teal-and-gold grade (cool teal in the shadows, warm gold in the highlights), soft anamorphic-style lens flares and light bloom off the sea. Shot on a cine camera, native 1920x1080, 16:9. HERO VEHICLE (match @image 1 exactly): a 1950s Italian corriera (single-deck coach) with a TWO-TONE livery — pale mint/seafoam-green upper body and roof, darker teal-green lower body, one slim orange-and-cream trim stripe along the window line, chrome window frames and side mouldings, riveted panels, a rounded front with vertical chrome grille and round chrome headlamps, a long row of square side windows, a blank board above the windshield; keep its exact shape, livery and color in every frame. The coast is a dramatic Amalfi-style cliff shoreline with a serpentine cliff-edge road, stone arched viaducts and a pastel town on a headland — keep the landscape coherent across the two shots. Camera moves are smooth and stabilized (aerial and side-tracking), never handheld, never tripod-static. Any number plate or signage stays blank. No on-screen text or subtitles. No background music — diegetic sound only. Shot 1: A smooth high aerial that tracks the mint-green corriera (match @image 1) as it drives along a serpentine cliff-edge coastal road, the camera drifting with it and easing outward to reveal the winding road, stone arched viaducts, a pastel Amalfi-style town clustered on the headland at right, and a deep blue-teal sea far below in warm hazy light. The bus rounds the curve unhurried, chrome catching the sun — a low ENGINE DRONE carrying over wind and distant surf, faint gulls. Shot 2: Cut to a low side-tracking shot moving alongside the corriera (match @image 1) as it speeds to the right along the guardrailed cliff road — the bus in full side profile, teal-green flank and orange trim stripe flashing past, seated passenger silhouettes visible through the row of windows; on the left the sea sparkles with sun glints and a soft lens flare, the cliff rises on the right. The road surface streaks with motion blur, tyres HUMMING on warm asphalt, wind rushing, the engine steady. Golden light, hazy horizon. Maintain @image 1 exactly — keep the corriera's two-tone livery and chrome identical in both shots. No cuts within a shot.21:T93f,[GLOBAL] Photoreal cinematic Italian summer travel film — golden-hour warmth, soft atmospheric haze, a gentle teal-and-gold grade (cool teal in the shadows, warm gold in the highlights), soft anamorphic-style lens flares and light bloom off the sea. Shot on a cine camera, native 1920x1080, 16:9. HERO VEHICLE (match @image 1 exactly): a 1950s Italian corriera (single-deck coach) with a TWO-TONE livery — pale mint/seafoam-green upper body and roof, darker teal-green lower body, one slim orange-and-cream trim stripe along the window line, chrome window frames and side mouldings, riveted panels, a rounded front with vertical chrome grille and round chrome headlamps, a long row of square side windows, a blank board above the windshield; keep its exact shape, livery and color in every frame. The coast is a dramatic Amalfi-style cliff shoreline with a serpentine cliff-edge road, stone arched viaducts and a pastel town on a headland — keep the landscape coherent across the two shots. Camera moves are smooth and stabilized (aerial and side-tracking), never handheld, never tripod-static. Any number plate or signage stays blank. No on-screen text or subtitles. No background music — diegetic sound only. Shot 1: A smooth high aerial that tracks the mint-green corriera (match @image 1) as it drives along a serpentine cliff-edge coastal road, the camera drifting with it and easing outward to reveal the winding road, stone arched viaducts, a pastel Amalfi-style town clustered on the headland at right, and a deep blue-teal sea far below in warm hazy light. The bus rounds the curve unhurried, chrome catching the sun — a low ENGINE DRONE carrying over wind and distant surf, faint gulls. Shot 2: Cut to a low side-tracking shot moving alongside the corriera (match @image 1) as it speeds to the right along the guardrailed cliff road — the bus in full side profile, teal-green flank and orange trim stripe flashing past, seated passenger silhouettes visible through the row of windows; on the left the sea sparkles with sun glints and a soft lens flare, the cliff rises on the right. The road surface streaks with motion blur, tyres HUMMING on warm asphalt, wind rushing, the engine steady. Golden light, hazy horizon. Maintain @image 1 exactly — keep the corriera's two-tone livery and chrome identical in both shots. No cuts within a shot.22:T93f,[GLOBAL] Photoreal cinematic Italian summer travel film — golden-hour warmth, soft atmospheric haze, a gentle teal-and-gold grade (cool teal in the shadows, warm gold in the highlights), soft anamorphic-style lens flares and light bloom off the sea. Shot on a cine camera, native 1920x1080, 16:9. HERO VEHICLE (match @image 1 exactly): a 1950s Italian corriera (single-deck coach) with a TWO-TONE livery — pale mint/seafoam-green upper body and roof, darker teal-green lower body, one slim orange-and-cream trim stripe along the window line, chrome window frames and side mouldings, riveted panels, a rounded front with vertical chrome grille and round chrome headlamps, a long row of square side windows, a blank board above the windshield; keep its exact shape, livery and color in every frame. The coast is a dramatic Amalfi-style cliff shoreline with a serpentine cliff-edge road, stone arched viaducts and a pastel town on a headland — keep the landscape coherent across the two shots. Camera moves are smooth and stabilized (aerial and side-tracking), never handheld, never tripod-static. Any number plate or signage stays blank. No on-screen text or subtitles. No background music — diegetic sound only. Shot 1: A smooth high aerial that tracks the mint-green corriera (match @image 1) as it drives along a serpentine cliff-edge coastal road, the camera drifting with it and easing outward to reveal the winding road, stone arched viaducts, a pastel Amalfi-style town clustered on the headland at right, and a deep blue-teal sea far below in warm hazy light. The bus rounds the curve unhurried, chrome catching the sun — a low ENGINE DRONE carrying over wind and distant surf, faint gulls. Shot 2: Cut to a low side-tracking shot moving alongside the corriera (match @image 1) as it speeds to the right along the guardrailed cliff road — the bus in full side profile, teal-green flank and orange trim stripe flashing past, seated passenger silhouettes visible through the row of windows; on the left the sea sparkles with sun glints and a soft lens flare, the cliff rises on the right. The road surface streaks with motion blur, tyres HUMMING on warm asphalt, wind rushing, the engine steady. Golden light, hazy horizon. Maintain @image 1 exactly — keep the corriera's two-tone livery and chrome identical in both shots. No cuts within a shot.23:Ta06,Mike <<>> and Audray <<>> handheld camera movement for intimacy. Paris street and park setting, shallow depth of field. wide two-shot on a sunny cobblestone street in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike stops and turns to Audray , talk with a slight head tilt and concerned expression: "Wait. Before we go anywhere, I have to ask you." Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures. Background pedestrians walk casually, cars pass slowly. cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression. Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi Coast that May?” He head tilts slightly, expression intense and vulnerable. Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity. Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons. Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why? You didn’t.” her head tilts slightly, voice soft yet probing. Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion. Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly. Mike’s shoulder is visible in the foreground. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting24:Ta06,Mike <<>> and Audray <<>> handheld camera movement for intimacy. Paris street and park setting, shallow depth of field. wide two-shot on a sunny cobblestone street in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike stops and turns to Audray , talk with a slight head tilt and concerned expression: "Wait. Before we go anywhere, I have to ask you." Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures. Background pedestrians walk casually, cars pass slowly. cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression. Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi Coast that May?” He head tilts slightly, expression intense and vulnerable. Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity. Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons. Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why? You didn’t.” her head tilts slightly, voice soft yet probing. Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion. Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly. Mike’s shoulder is visible in the foreground. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting25:Ta06,Mike <<>> and Audray <<>> handheld camera movement for intimacy. Paris street and park setting, shallow depth of field. wide two-shot on a sunny cobblestone street in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike stops and turns to Audray , talk with a slight head tilt and concerned expression: "Wait. Before we go anywhere, I have to ask you." Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures. Background pedestrians walk casually, cars pass slowly. cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression. Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi Coast that May?” He head tilts slightly, expression intense and vulnerable. Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity. Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons. Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why? You didn’t.” her head tilts slightly, voice soft yet probing. Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion. Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly. Mike’s shoulder is visible in the foreground. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting26:Ta9d,Mike (a handsome Caucasian young man) and Audray <<>> keep her looks and wearing exactly the same. handheld camera movement for intimacy. Paris crowded street , shallow depth of field.medium two-shot on a sunny cobblestone street side in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike pauses and turns to Audray , talk with a slight head tilt and concerned expression: "Wait" Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures, Mike continues talking: "Before we go anywhere, I have to ask you." Background pedestrians walk casually, cars pass slowly.cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression.Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi that May?” He head tilts slightly, expression intense and vulnerable.Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity.Back to over-the-shoulder close-up on Mike. His face becomes more distressed, brows deeply furrowed, eyes glistening with emotion, voice insistent as he says “I need to know, it’s important to me.” he makes small emphatic head movements and subtle hand gestures. Background shows faint movement of people and pigeons.Cut to close-up on Audray. she looks momentarily with a slight pained smile, then lifts her gaze back to his, expression shifting to gentle but firm as she asks “Why?” her head tilts slightly, voice soft yet probing.Return to over-the-shoulder on Mike. he looks pleading and anxious, forehead wrinkled, eyes wide, pressing with “What did you do? Did you go?” His mouth trembles slightly with emotion.Final close-up on Audray. she looks at him directly, expression softening into a bittersweet half-smile mixed with sadness, then quietly says “No.” she blinks slowly, head lowering slightly and then look up to him with a smile, Mike’s shoulder is visible in the foreground.and then they turn and walk to the left, camera pan to left too. Throughout the clip: Natural body movements, expressions, natural body language . Background ambient motion (pedestrians, distant cars, pigeons). Ultra-detailed, photorealistic, natural and realistic voices, natural sunset lighting27:Ta9d,Mike (a handsome Caucasian young man) and Audray <<>> keep her looks and wearing exactly the same. handheld camera movement for intimacy. Paris crowded street , shallow depth of field.medium two-shot on a sunny cobblestone street side in Paris outside a small restaurant with an orange awning. camera pull back to show Mike and Audray walking casually and smiling, Mike pauses and turns to Audray , talk with a slight head tilt and concerned expression: "Wait" Audray stops, turn to him, looking up to him with concerning expressions while making small open-palmed hand gestures, Mike continues talking: "Before we go anywhere, I have to ask you." Background pedestrians walk casually, cars pass slowly.cut to medium close-up on Audray (over Mike’s shoulder). she looks down briefly then back up at him, eyebrows raised in mild surprise, mouth moving as she says “Sure, what?” with a soft, open expression.Cut to over-the-shoulder close-up on Mike in a greener park-like area with black metal fence, trees, and pigeons on the ground. He looks at her with furrowed brows, concerned eyes, mouth moving emotionally as he asks: “Did you show up in Amalfi that May?” He head tilts slightly, expression intense and vulnerable.Cut back to close-up on Audray. she listens, then responds with animated facial expressions, she leans forward slightly, eyes locked on his, showing surprise and curiosity.Back to over-the-shoulder close-up on Mike. 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