29:I[310877,["/_next/static/immutable/chunks/155891ur7h2g4.js","/_next/static/immutable/chunks/0mtrehc8aml2c.js","/_next/static/immutable/chunks/30jnke59ymed1.js","/_next/static/immutable/chunks/0xxyvfzxk9m6-.js","/_next/static/immutable/chunks/0qj38ol596-zz.js","/_next/static/immutable/chunks/2q4w4h9igk5by.js","/_next/static/immutable/chunks/1max32nja8djl.js","/_next/static/immutable/chunks/1s0kbrf23m13w.js","/_next/static/immutable/chunks/0mv6b8awgzymp.js","/_next/static/immutable/chunks/1we-4b59mioud.js","/_next/static/immutable/chunks/3y60weyhide_k.js","/_next/static/immutable/chunks/10_64ogqxwi8d.js","/_next/static/immutable/chunks/33agrlzj3imvz.js","/_next/static/immutable/chunks/1rv0paveag6h8.js","/_next/static/immutable/chunks/3_9hms4pu5_b3.js"],"ViewportHintProvider"] 2a:I[751832,["/_next/static/immutable/chunks/155891ur7h2g4.js","/_next/static/immutable/chunks/0mtrehc8aml2c.js","/_next/static/immutable/chunks/30jnke59ymed1.js","/_next/static/immutable/chunks/0xxyvfzxk9m6-.js","/_next/static/immutable/chunks/0qj38ol596-zz.js","/_next/static/immutable/chunks/2q4w4h9igk5by.js","/_next/static/immutable/chunks/1max32nja8djl.js","/_next/static/immutable/chunks/1s0kbrf23m13w.js","/_next/static/immutable/chunks/0mv6b8awgzymp.js","/_next/static/immutable/chunks/1we-4b59mioud.js","/_next/static/immutable/chunks/3y60weyhide_k.js","/_next/static/immutable/chunks/10_64ogqxwi8d.js","/_next/static/immutable/chunks/33agrlzj3imvz.js","/_next/static/immutable/chunks/1rv0paveag6h8.js","/_next/static/immutable/chunks/3_9hms4pu5_b3.js"],"TemplateDetailSwitch"] 2b:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.2c:T4f0,The same woman as @Image1, identical face, hair and swimsuit in every panel. Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME woman, fully consistent. Layout: top-left a title block with NAME: NARI / AGE: 25 / ROLE: contestant on a night-time water obstacle game show / PERSONALITY: shy, bubbly, fearless; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, FRONT standing barefoot and RUNNING mid-stride with the arms flung wide; bottom a DETAILS strip of four captioned close-ups: HAIR DRY, HAIR SOAKED (slicked straight back and flat to the head, dripping), GOLD EARRINGS, SWIMSUIT RING. The woman: 25, long straight light brown hair past the shoulders with a centre parting, grey-blue eyes, fair skin with light freckles, slim and athletic; a slate-blue ribbed one-piece swimsuit with a deep plunging V neckline joined by a small gold ring at the chest and open cut-out sides, small gold hoop earrings, barefoot. Every panel is a REAL candid photograph of the same person — soft natural daylight, slightly low contrast and low saturation, no retouching.2d:T4f0,The same woman as @Image1, identical face, hair and swimsuit in every panel. Character-design reference sheet layout on a clean light cream background, neatly organized like an official character model sheet, all views showing the SAME woman, fully consistent. Layout: top-left a title block with NAME: NARI / AGE: 25 / ROLE: contestant on a night-time water obstacle game show / PERSONALITY: shy, bubbly, fearless; below it COLOR PALETTE rows HAIR / EYES / SKIN / OUTFIT with small swatches; center a FRONT VIEW and a SIDE VIEW bust; right two full-body panels, FRONT standing barefoot and RUNNING mid-stride with the arms flung wide; bottom a DETAILS strip of four captioned close-ups: HAIR DRY, HAIR SOAKED (slicked straight back and flat to the head, dripping), GOLD EARRINGS, SWIMSUIT RING. The woman: 25, long straight light brown hair past the shoulders with a centre parting, grey-blue eyes, fair skin with light freckles, slim and athletic; a slate-blue ribbed one-piece swimsuit with a deep plunging V neckline joined by a small gold ring at the chest and open cut-out sides, small gold hoop earrings, barefoot. Every panel is a REAL candid photograph of the same person — soft natural daylight, slightly low contrast and low saturation, no retouching.2e:T78a,The same course as @Image1: the same pool, the same rollers, the same striped sweeper, the same white warped wall, the same floodlight towers and grandstand, now with nobody on the course. Environment reference sheet: three labeled photographs side by side of the SAME empty night-time water obstacle course in an outdoor stadium, no people anywhere on the course, no text except the three small view labels, no logos. VIEW A "COURSE": the whole course from the high angle of @Image1: a long turquoise pool under white floodlights on steel scaffold towers, a packed grandstand along the left side; a small white start platform at the near left corner; a row of fat pastel-peach spinning rollers crossing the pool from the platform; a narrow white BEAM continuing from the last roller, with the SWEEPER mounted in the middle of the BEAM; the BEAM ending at a short white RUNWAY that meets the foot of an enormous smooth white curved warped wall rising at the far end of the pool, a steel scaffold tower standing behind the top of the wall. VIEW B "SWEEPER": side-on at water level: the narrow white BEAM, one step wide, running left to right just above the water; in the middle of the BEAM a short steel post rises to thigh height, and two long padded poles with diagonal peach and pale-blue stripes cross at a hub on top of the post, making four arms spread evenly like a cross, all at the same thigh height, long enough to reach across the BEAM; the far end of the BEAM, past the reach of the arms, is clear. VIEW C "WALL TOP": close on the top edge of the white warped wall at night, the steel scaffold directly above it, and mounted on the scaffold a heavy stainless-steel mechanical hammer on a hinged steel arm, its polished cylindrical head hanging just above the wall's top edge. A REAL photograph of the set at night under harsh white floodlight, slightly low contrast and low saturation, no retouching, no colour grading.2f:T78a,The same course as @Image1: the same pool, the same rollers, the same striped sweeper, the same white warped wall, the same floodlight towers and grandstand, now with nobody on the course. Environment reference sheet: three labeled photographs side by side of the SAME empty night-time water obstacle course in an outdoor stadium, no people anywhere on the course, no text except the three small view labels, no logos. VIEW A "COURSE": the whole course from the high angle of @Image1: a long turquoise pool under white floodlights on steel scaffold towers, a packed grandstand along the left side; a small white start platform at the near left corner; a row of fat pastel-peach spinning rollers crossing the pool from the platform; a narrow white BEAM continuing from the last roller, with the SWEEPER mounted in the middle of the BEAM; the BEAM ending at a short white RUNWAY that meets the foot of an enormous smooth white curved warped wall rising at the far end of the pool, a steel scaffold tower standing behind the top of the wall. VIEW B "SWEEPER": side-on at water level: the narrow white BEAM, one step wide, running left to right just above the water; in the middle of the BEAM a short steel post rises to thigh height, and two long padded poles with diagonal peach and pale-blue stripes cross at a hub on top of the post, making four arms spread evenly like a cross, all at the same thigh height, long enough to reach across the BEAM; the far end of the BEAM, past the reach of the arms, is clear. VIEW C "WALL TOP": close on the top edge of the white warped wall at night, the steel scaffold directly above it, and mounted on the scaffold a heavy stainless-steel mechanical hammer on a hinged steel arm, its polished cylindrical head hanging just above the wall's top edge. A REAL photograph of the set at night under harsh white floodlight, slightly low contrast and low saturation, no retouching, no colour grading.30:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.31:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.32:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.33:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.34:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.35:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.36:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.37:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.38:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. No subtitles, no on-screen text, no logos.39:T1b97,@Image1 is NARI: take the woman, the slate-blue ribbed one-piece swimsuit with the gold ring at the chest, the long light brown hair and the small gold hoop earrings; ignore the sheet layout and the title text. @Image2 is COURSE: VIEW A is the whole night-time water obstacle course in the stadium, VIEW B is the SWEEPER beside the BEAM seen from the side at water level, VIEW C is the top edge of the WARPED WALL with the steel HAMMER on the scaffold above it; ignore the view labels; in the film the grandstands are packed with a cheering crowd. Raw handheld footage of a night-time water obstacle game show in an outdoor stadium under white floodlights: NARI walks in, giggles, sprints across the SPINNING ROLLERS, hops one striped arm of the SWEEPER and gets scooped off the BEAM by the next, sits stunned, gets up and runs the RUNWAY to the WARPED WALL, grabs the top, is bonked on the head by the HAMMER and falls backward into the pool, surfacing stunned into the lens; twelve shots with hard cuts, an excited male announcer over the stadium PA. 0-3s: Low tracking shot at deck height moving backward ahead of NARI, tilting up as it moves: from NARI's bare feet striding across the wet white pool deck up to NARI's face as NARI walks toward the lens, the packed floodlit grandstand a blur behind. 3-5s: Hard cut. Medium close-up from the front, handheld, eye level. NARI stops, presses both hands together at the neckline of the swimsuit, lifts both shoulders and giggles, the gold earrings swinging; the crowd claps behind. American English, an excited male game-show announcer over the stadium PA, every word clear, the ANNOUNCER: {Let's see what she's got!} 5-7s: Hard cut. Wide high angle from the top of the grandstand over the whole COURSE at night: the turquoise pool, the row of peach SPINNING ROLLERS crossing the pool from the start platform, the SWEEPER turning on the BEAM beyond the rollers, the short white RUNWAY, the WARPED WALL at the far end, the grandstand packed along the left side; NARI small at the start of the rollers, bouncing on both feet. 7-10s: Hard cut. Wide side-on tracking shot at water level, moving right with NARI: NARI sprints across the SPINNING ROLLERS, each roller turning under NARI's feet, arms flung wide, hopping roller to roller and landing on the near end of the white BEAM. American English, the same excited male announcer over the PA, the ANNOUNCER: {She's as good as her photos!} 10-12s: Hard cut. Wide high angle from the grandstand side looking down on the SWEEPER: the narrow white BEAM runs straight on across the water from the last roller; in the middle of the BEAM the steel post rises from the BEAM and the four padded arms of the SWEEPER with peach and pale-blue diagonal stripes spin flat around the post at thigh height, each arm sweeping across the BEAM from NARI's left to NARI's right, one arm about every second. NARI crouches at the near end of the BEAM, arms out, the eyes following the arms. 12-15s: Hard cut. Medium side-on shot from the pool edge, level with the BEAM, the striped arms crossing the frame from left to right at NARI's thigh height, the camera holding this angle for the whole shot. NARI edges to the middle of the BEAM, watches one arm come, and hops high with both knees tucked, the arm passing under NARI's feet; NARI lands back on the BEAM with the arms flung wide; the very next arm sweeps into the backs of NARI's legs with a padded THUMP, scooping NARI forward off both feet; NARI twists half around in the air and lands sitting on the far end of the BEAM past the reach of the arms, both palms slapping onto the boards. 15-17s: Hard cut. Medium shot from the front at eye level from the far end of the BEAM: NARI sits on the BEAM facing the camera, legs straight out, propped on both hands, mouth wide open, blinking twice; behind NARI the striped arms keep spinning over the BEAM; beyond them rows of spectators cover their mouths. 17-19s: Hard cut. Medium tracking shot from the side: NARI pushes up onto both feet, glances back at the spinning arms, shakes out both hands, and steps off the far end of the BEAM onto the short white RUNWAY at the foot of the WARPED WALL. 19-21s: Hard cut. Rear tracking shot on a long lens from behind NARI: NARI sprints down the short white RUNWAY toward the towering white WARPED WALL rising right ahead, the long light brown hair flying, the floodlights flaring over the wall. 21-23s: Hard cut. Wide side-on shot of the WARPED WALL from the pool edge: NARI runs up the white curve, leaps, and slaps both hands over the top edge, hanging there with the feet against the wall. American English, the same excited male announcer over the PA, the ANNOUNCER: {Finally! She's up the wall!} 23-26s: Hard cut. Close-up at the top of the WARPED WALL from the side: NARI's cheek pressed against the white wall, both hands hooked over the edge, grinning through clenched teeth, the feet scrabbling below; above, the stainless-steel HAMMER on the scaffold swings down and bonks the top of NARI's head; NARI's eyes squeeze shut, the fingers open, the grip breaks. 26-30s: Hard cut. Wide shot from pool level: NARI tumbles backward off the WARPED WALL, the legs flipping over, and crashes into the pool with a huge white splash; the camera moves to the water surface and finds the churning foam as NARI bursts up through it, the light brown hair soaked flat back, the gold earrings dripping, mouth wide open, eyes huge, staring straight into the lens and blinking the water away, and holds on NARI's face to the end. Constraints: twelve shots with hard cuts at 3, 5, 7, 10, 12, 15, 17, 19, 21, 23 and 26 seconds and no other cuts. Raw unedited camera footage: natural and practical light only, slightly low contrast and low saturation, flat muted natural tones, no colour grading; handheld with constant small jitter, drift and breathing sway, never stabilised. NARI keeps the face, hair, swimsuit and earrings from @Image1 in every shot; the SPINNING ROLLERS, BEAM, SWEEPER, RUNWAY, WARPED WALL and HAMMER keep the shapes and colours of @Image2; the SWEEPER has four striped arms. NARI's hair stays dry until the fall into the pool at 26s. NARI breathes, blinks and makes small involuntary movements in every shot and is never completely still. The only voice is the ANNOUNCER over the PA; NARI does not speak. No music. 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